PERFORMATIVE COMMUNICATION AND INDIGENOUS DIPLOMACY IN CONFLICT RESOLUTION: UKPUKPE DRUMMING AND THE YORUBA TALKING DRUM

Authors

  • Anyira Kingsley Chukwuemeke, PhD* Department of Theatre Arts, University of Delta, Agbor, Delta State. Author
  • Essi David, PhD Department of Theatre Arts, Chukwuemeka Odumegwu Ojukwu University, Igbariam, Anambra State. Author

Keywords:

Ukpukpe, Yoruba Talking Drum, performative communication, indigenous diplomacy, conflict resolution, African music

Abstract

Indigenous conflict resolution mechanisms in Africa have historically relied on culturally embedded performative communication systems. Among the Aniocha people of Delta State, the Ukpukpe drum has been central in mediating disputes, while the Yoruba Talking Drum has played a similar role among the Yoruba communities of southwestern Nigeria. This paper investigates the interplay of performance, musical symbolism, and diplomacy in these indigenous contexts. Using an ethnographic approach, field observations, and literature synthesis, the study demonstrates that drumming operates as a performative language capable of conveying social norms, facilitating negotiation, and restoring communal harmony. Findings reveal that the Ukpukpe and Yoruba drums not only communicate messages but also reinforce cultural identity, social cohesion, and moral authority. This study contributes to the understanding of performative communication in African diplomacy and highlights the importance of preserving indigenous knowledge systems in contemporary conflict resolution.

 

References

1. Adewumi, Segun, and Kingsley Eze. Traditional Mediation and Indigenous Conflict Resolution Mechanisms in Southwestern Nigeria. Journal of African Cultural Studies, vol. 14, no. 2, 2018, pp. 45–63.

2. Ajayi, Bade. Oríkì as Cultural Memory and Moral Discourse among the Yoruba.” African Studies Review, vol. 52, no. 1, 2009, pp. 1–20.

3. Andersen, Peter A. Nonverbal Communication: Forms and Functions. 2nd ed., Mayfield Publishing, 2008.

4. Anyira Chukwuemeke Kingsley and David Essi. "Bravity and Self-worth: Jettisoning The Egoistic Nature of Man. A Trend in The Work of JP Clark Bekederemo and Zaynab Alkali. Rivers State university Journal of Theatre and Film Studies. Vol.5, April 2025.

5. Anyira Chukwuemeke Kingsley and Essi David." Tourist potentials of the Inneh Iwaji Ogbe no gbe Total Theatre performance in Idumuje-unor, Delta State. Elegbakna Journal of Theatre and Film Studies, Rivers State University. Portharcourt. Vol 4. August 2025.

6. Anyira, Kingsley Chukwuemeke. Rhythms of Reconciliation: The Ukpukpe Drum-beat of the Aniocha and the Yoruba Talking Drum in Conflict Resolution.” Unpublished manuscript, 2025.

7. Bamidele, Lanre. Poetry, Performance and Yoruba Indigenous Communication.” Journal of Pan-African Studies, vol. 6, no. 3, 2013, pp. 1–15.

8. Carrington, John F. Talking Drums of Africa. Carey Kingsgate Press, 1949.

9. Creswell, John W. Qualitative Inquiry and Research Design: Choosing among Five Approaches. 3rd ed., Sage Publications, 2013.

10. Croucher, Stephen M. Global Perspectives on Intercultural Communication. Routledge, 2020.

11. Edewor, Paul A. “Storytelling and Drums in African Oral Tradition: The Nexus of Sound and Sense.” Nigerian Journal of Communication, vol. 12, no. 3, 2020, pp. 45–57.

12. Essi,David&AkasNicholas,C.“Brecht’sCaucasianChalkCircle:ATriumphofMarxismasanIdealModel.”InternationalJournalofLiterature,LanguageandLinguistics7.4(2024):49-60.Print.

13. Essi David and Nicholas chielotam Akas. Absurdism: A Reflection of the Hopelessness of the human situation. Sub- Sahara Africa Review, Vol.1 No 2. 2023, pp. 2.

14. Essi David. " Preserving and Sustaining the Environment for Global Harmony: Wole Soyinka's The Swamp Dwellers and Esiaba Irobi Hangmen also Die in Focus ".A Chapter Contribution in Ecocriticism: Critical Essays. Kraft. 2017.

15. Essi, David. “Iconic Symbols in Femi Osofisan’s Once Upon Four Robbers.” Tropical Journal of Arts and Humanities, vol. 4, no. 2, 2022, pp. 13–22.

16. Essi, David. “Lost in the Labyrinth: Salami’s Emotan as a Paradigm in the Quest for a Leadership Model in Nigeria.” Ikenga International journal of humanities. Nsukka (2019), 62, 356. Print.

17. Essi, David & Akas Nicholas, C. "Snippets of the Absurd in Osofisan's Mad Men and Specialist." . The Creative Artists. Journal of Theatre and Media Studies, (2023)

18. Essi, David. “Zulu Sofola and Her Tragic Vision: King Emene Considered.” International Scholar Journal of Arts and Social Science Research, vol. 5, no. 3, 2022, pp. 600–608.

19. Essi David. "Wole Soyinka's Abiku".A Metaphor for his Activism. A Chapter Contribution in IKENGA. International Journal of African Studies. University of Nigeria press, 2019.

20. Euba, Akin. Yoruba Drumming: The Dundun Tradition. African Music, vol. 6, no. 2, 1989, pp. 18–38.

21. Eze, J. O., and U. C. Molokwu. “Appraising the Influence of Nnumu-Kwome Deity on the Politics and Economy of Nsukka-Igbo, Enugu State, Nigeria.” African Identities (2025): 1–17.

22. Eze, J.O., Molokwu, U.C., et al., “Reassessing Tradition: The Repugnancy Doctrine and the Colonial Shaping of Customary Law in Nigeria.” IIUM Law Journal 33, no. 2 (2025): 577–608.

23. Finnegan, Ruth. Oral Literature in Africa. Oxford UP, 1970.

24. Hall, Edward T. Beyond Culture. Anchor Books, 1976.

25. Lincoln, Yvonna S., and Egon G. Guba. Naturalistic Inquiry. Sage Publications, 1985.

26. Molokwu, U. C., and O. V. Uchime. “Traditional Religion, Christianity & Gender Based Violence among Women of South-eastern Nigeria, 1980–2015.” PREORC Journal of Gender and Sexuality Studies 1, no. 1 (2020): 156–179.

27. Molokwu, U. C., Uchime, O.V., et al., “Colonial, Migration and Inter-group Relations in Africa: The Igbo and their Southern Cameroon Neighbours, 1916–2014.” Cogent Arts & Humanities 10, no. 2 (2023): 1–12.

28. Nketia, J. H. Kwabena. The Music of Africa. W. W. Norton, 1974.

29. Nwankpa, Michael. “Traditional Mechanisms of Conflict Resolution in Africa.” Peace and Conflict Review, vol. 8, no. 1, 2014, pp. 87–105.

30. Obasi, Joseph. “Indigenous Instruments and Social Control in Igbo Communities.” Journal of African Studies, vol. 10, no. 1, 2016, pp. 22–35.

31. Olaniyan, Tejumola. “Drum Language and the Semiotics of Power in Yoruba Culture.” Research in African Literatures, vol. 28, no. 3, 1997, pp. 15–28.

32. Omojola, Bode. Yoruba Music in the Twentieth Century: Identity, Agency, and Performance Practice. University of Rochester Press, 2012.

33. Pal, Chandra. “Culture and Indigenous Conflict Resolution Systems.” International Journal of Peace Studies, vol. 9, no. 2, 2012, pp. 44–62.

34. Patton, Michael Quinn. Qualitative Research and Evaluation Methods. 3rd ed., Sage Publications, 2002.

35. Popoola, Tunde. “Indigenous Knowledge Systems and Peace Education in Nigeria.” African Journal of Cultural Studies, vol. 5, no. 2, 2017, pp. 44–62.

Downloads

Published

2026-01-27

Issue

Section

Articles

How to Cite

PERFORMATIVE COMMUNICATION AND INDIGENOUS DIPLOMACY IN CONFLICT RESOLUTION: UKPUKPE DRUMMING AND THE YORUBA TALKING DRUM. (2026). World Journal of Arts, Education and Literature, 3(1), 37-42. https://wasrpublication.com/index.php/wjael/article/view/259